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- #CUBASE 4 GUIDE HOW TO#
- #CUBASE 4 GUIDE SOFTWARE#
- #CUBASE 4 GUIDE PROFESSIONAL#
- #CUBASE 4 GUIDE MAC#
In short, everything that a fully-featured, professionally-installed, large-scale recording console can do, Cubase can now do internally. Naturally, external sources like your CD deck or iPod can be selected for direct playback in anyone's headphones. Unlike before, you no longer have to sacrifice aux sends to create headphone mixes - the four headphone sends are completely separate. These can be previewed individually on the engineer's own dedicated headphone channel at the touch of a button. Up to four sets of artist headphone mixes can be defined (named Studio 1, Studio 2, etc) and you have master volume controls for each. You can toggle the Listen function between PFL and AFL, there's an adjustable Dim button for the monitors and even a Talkback button.
#CUBASE 4 GUIDE PROFESSIONAL#
But that's not all.Īssuming you've got a suitable soundcard, you can select different monitoring setups on your outputs (mono, stereo, surround, etc) and just as on a professional hardware mixing desk, you can choose different external devices for playback (such as cassette, MiniDisc or vinyl). So now - after what seems like a lifetime - you can finally control the main loudspeaker volume from within Cubase without affecting the mix levels. It has its own control window (on a hardware mixing desk this would be referred to as the centre or control room panel) and it offers all the features that you'd expect to find in a top-flight recording studio. Basically, the Control Room adds a significant monitoring layer between the main mix output and the physical soundcard outputs. This is a blindingly obvious omission from most music applications, and we've been hankering after such a thing for years. This enables you to solo channels during recording (to check for quality) without interrupting the headphone mix going to your artists.īest of all, though, is the wonderful new Control Room feature. There's now a Listen button on every mixer channel and a new PFL (Pre Fade Listen) function that's also switchable to AFL (After Fade Listen). As many of us expected, Cubase 4 features more technology from Nuendo, Steinberg's flagship broadcast/post production application. It's certainly a lot easier to see what's going on. The changes are actually quite subtle, but everything feels cleaner, simpler and just a little flatter than before. So join Cubase master Matthew Loel T.Launch Cubase 4 for the first time and you immediately notice that the user interface has been given a bit of a paint job. Hepworth in this Beginner's Guide, and learn everything you need to start making music with Cubase 11! After completing this course, you will have an excellent understanding of Cubase, and you will be able to use it with confidence.
#CUBASE 4 GUIDE HOW TO#
You also learn to use the different types of track (Audio, MIDI Instrument, and Sampler tracks), you learn all the essential keyboard shortcuts, how the media tabs work, how to use VST instruments, and a lot more. You discover all the different elements of the Cubase interface and you learn to navigate it. Once the setup is done, you are ready to create a new project.
#CUBASE 4 GUIDE SOFTWARE#
Next, he explains the important steps you need to follow when installing the software, and he reveals how to set up the software with your audio and MIDI gear.
#CUBASE 4 GUIDE MAC#
Matt starts the course by explaining the small, but important, differences between the Mac and Windows version of the program. Hepworth is here to show you exactly how to master this fantastic DAW with this step-by-step guide. When learning such a deep software, it can be difficult to know where to begin, but don't panic. First released more than 30 years ago, Steinberg keeps on adding new features and enhancements with every new version of Cubase. The latest version of Steinberg's popular DAW is better than ever.